WEILL and Brecht’s agit-prop satire on corruption and greed, banned by the Nazis in 1933, still carries a powerful charge. John Fulljames’s staging of Rise And Fall Of The City Of Mahagonny adds slogans to emphasise Brecht’s jaundiced view of humankind.
Sunday, 15 March 2015
Weill and Brecht's Rise And Fall Of The City Of Mahagonny: Opera review
WEILL and Brecht’s agit-prop satire on corruption and greed, banned by the Nazis in 1933, still carries a powerful charge. John Fulljames’s staging of Rise And Fall Of The City Of Mahagonny adds slogans to emphasise Brecht’s jaundiced view of humankind.
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